References


References:

A brief history of Ableton Live. (January 13th, 2011). Music Radar. Retrieved from http://www.musicradar.com/us/tuition/tech/a-brief-history-of-ableton-live-357837

Ableton Live Session View. Retrieved from https://www.ableton.com/en/manual/session-view/

Ableton Live Session View - Clips and tracks can be launched with the touch of a mouse.
image retrieved from http://createdigitalmusic.com/files/2012/10/Session-Automation-Recording-Curves.png

Akai MPC2000 / MPC2000 XL. Vintage Synth Explorer. Retrieved from http://www.vintagesynth.com/akai/mpc2000.php

American Festival of Microtonal Music. Retrieved from http://www.afmm.org/

The ARChive of Contemporary Music. Retrieved from http://arcmusic.org/about/

Barry Miles image retrieved from https://fitzrovianews.files.wordpress.com/2012/03/barrymiles60s.jpg

BBC 6 Music. (2010). Jarvis Cocker and Brian Eno interview. Retrieved from https://www.youtube.com/watch?v=pRc7MUybCsE

Beatles, The. (1966). Tommorow Never Knows -The Beatles (Lost 1967 Music Video) retrieved from https://youtu.be/zd61M256RfM


Berrigan, T., & Padgett, R. (1967). Bean Spasms. Kulchur Press.

Boon, M. (2007). On Appropriation. CR: The New Centennial Review, 7(1), 1-14.

Brecht, G. (1991). Notebooks I–VII (Doctoral dissertation, ed. D. Daniels and H. Braun. Cologne: Walther König).

By, T. J. (1976, Dec 05). Experimental music takes a trip to the art world. New York Times (1923-Current File) Retrieved from http://search.proquest.com/docview/122709686?accountid=14166

By, J. R. (1987, Feb 08). The impact and influence of john cage. New York Times (1923-Current File) Retrieved from http://search.proquest.com/docview/110828460?accountid=14166

Cage, J. (1968). A year from Monday: new lectures and writings. Wesleyan University Press.

Cage, J., & Retallack, J. (2011). MUSICAGE: CAGE MUSES on Words* Art* Music. Wesleyan University Press.

Cage, J. (1980). Empty words: writings' 73-'78. Marion Boyars.

Cage, J. (1973). M: Writings' 67-'72 (Vol. 635). Wesleyan University Press.

Cage, J. (1969). Notations (No. 1). Something Else Press.

Cage, J. (2011). Silence: lectures and writings. Wesleyan University Press.

Cage, J. (1983). X: Writings' 79-'82. Wesleyan University Press.

Chamberlin: Ancient Sampler. Retrieved from https://youtu.be/ym7uN3QiTIs

Cornford, S. (2007). For Violin, Viola and Tape. Retrieved from https://vimeo.com/21115238

Cornford, S. (2007). For Violin, Viola and Tape. Image retrieved from http://www.scrawn.co.uk/9.html

Dayal, G. (2010). Recalling Experimental Music in ‘70s New York. Retrieved from http://www.npr.org/blogs/therecord/2010/10/20/130698344/new-york-in-the-70s

Duckworth, W. (1999). Talking Music: Conversations With John Cage, Philip Glass, Laurie Anderson, And 5 Generations Of American Experimental Composers. Cambridge, MA: Da Capo.

E-Mu product history. Retrieved from http://www.creative.com/emu/company/history/timeline/ 

Eno, B. (1996). A Year with Swollen Appendices: Brian Eno's Diary. Faber & Faber.

Eno's (1975) diagram created for Discreet Music. Image retrieved from http://bit.ly/1JtQkpQ

Eno, B., & Schmidt, P. (1978). Oblique strategies. Opal, London.    

Ferris Bueller's Day Off [Motion picture on DVD]. (1986). United States: Paramount Pictures 

Ferris Bueller's Day Off 1986 Telephone. Retrieved from https://youtu.be/ATkUqWssSGc



Gilbert, B. (2010). How To Consult the I Ching retrieved from http://bit.ly/1DNDLhj


Glass, I. (2009). Ira Glass on Storytelling, part 3 of 4 [web interview]. Public Radio International. Interview retrieved from https://www.youtube.com/watch?v=BI23U7U2aUY

Hendricks, J., & Pincus-Witten, R. (1988). Fluxus codex. Detroit: Gilbert and Lila Silverman Fluxus Collection.

Ircam. Retrieved from http://www.ircam.fr/

Indica gallery building exterior photo retrieved from http://www.studiointernational.com/images/articles/r/riflemaker/2_b.jpg

Johnson, R. Please Add To & Return To Ray Johnson. Retrieved from  http://images.rayjohnsonestate.com/www_rayjohnsonestate_com/MA51.jpg

Johnson, R. Various Ray Johnson mail art pieces. Retrieved from http://www.iuoma.org/stat_13.html


Keith, R. (2015). Unusual Combinations: Cards for choosing random instruments and effects for composition.   

Larson, K. (2012). Where The Heart Beats: John Cage, Zen Buddhism, and the inner life of artists. Penguin.

Lefford, N. (2007). The Generative Process, Music Composition and Games.Leonardo, 40(2), 129-136.

Leete, N. (1999). Fairlight Computer. Sound on Sound. Article retrieved from http://www.soundonsound.com/sos/apr99/articles/fairlight.htm

Lennon, John recording Tomorrow Never Knows photograph retrieved from http://www.thisisnotporn.net/wordpress/wp-content/uploads/2011/10/John-Lennon-recording-%E2%80%9CTomorrow-Never-Knows%E2%80%9D.jpg

Leung, R. (2004). Dylan Looks Back [Television series episode]. In 60 Minutes.CBS. Interview retrieved from https://www.youtube.com/watch?v=gKkZcgrec8A

Manning, P.(2013). Listening through the Noise: The Aesthetics of Experimental Music by Joanna Demers (review). Music and Letters 94(1), 187-190. Oxford University Press. Retrieved February 22, 2015, from Project MUSE database.

Microfest: Celebrating the notes between the notes. Retrieved from http://microfest.org/

Miles, B. (1998). Paul McCartney: Many years from now. Macmillan.

Barry Miles, John Dunbar, Marianne Faithfull, Peter Asher and Paul McCartney (1965) at Indica. Image retrieved from http://barrymiles.co.uk/biography/biography/ 

Oliver, R. CEDatUGA. (September 21st, 2014). Tristan Perich: Mind The Machine. Retrieved from https://www.youtube.com/watch?v=rIEcVbiLVCs

Paige, D. (1980). A Day In The Life Of A Rock Musician. Troll Associates.

Parsons, M. (2001). The Scratch Orchestra and Visual Arts. Leonardo Music Journal, 11, 5-11.

Phillips, P. (March, 20015). 10 Female Electronica Pioneers You Should Know. Pulse. Retrieved from http://pulseradio.net/articles/2015/03/10-female-electronica-pioneers-you-should-know?utm_content=buffer87775&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer

Piekut, B. (2011). Experimentalism otherwise: The New York avant-garde and its limits (Vol. 11). Univ of California Press.

Popova, M. (2014). Oblique Strategies: Brian Eno’s Prompts for Overcoming Creative Block, Inspired by John Cage. Brain Pickings. Retrieved from http://www.brainpickings.org/2014/01/22/brian-eno-visual-music-oblique-strategies/

Ray Johnson Biography. Retrieved from http://www.rayjohnsonestate.com/biography/

Reich, S., & Hillier, P. (Eds.). (2002). Writings on Music, 1965-2000. Oxford University Press.

Roberts. N. (2010). Brian Eno – Another Green World. Arena. BBC Four. Film retrieved from https://youtu.be/2DbKAj-e8_I

Scheffer, Frank (2000). In The Ocean: A Film About The Classical Avant Garde. Allegri films; NPS, Retrieved from https://www.youtube.com/watch?v=h0NwiTHIhGM

Scoates, C. (2013). Brian Eno: Visual Music. Chronicle Books.

Sheppard, D. (2008). On Some Faraway Beach, the Life and Times of Brian Eno. Chronicle.

Sinclair, J. (2009). Sun Ra: Interviews and Essays. Headpress.

Stephenson, S. (2012). I CHING: A Book About Change. CreateSpace Independent Publishing Platform

Stockhausen, Karlheinz GESANG DER JÜNGLINGE – retrieved from https://www.youtube.com/watch?v=nffOJXcJCDg

Tamm, E. (1995). Brian Eno: His music and the vertical color of sound. Da Capo Press.

thesoundtestroom: House Of Blues Sound Pack Demo for Launchpad, Brilliant
retrieved from http://bit.ly/1bIToRa

Van Veldhoven, Wouter. [blog].  Experimental Instrument Designer. Retrieved from http://woutervanveldhoven.tumblr.com/post/113893057990/monophonic-cassette-mellotron-and-automated?utm_content=bufferd111a&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer

Young, La Monte. (1963). An Anthology of Chance Operations. L. Young & J. MacLow.

Experimental Music Libraries & Performance Venues:

Eli March Performance Series (Experimental Intermedia). Retrieved from http://experimentalintermedia.org/concerts/15/march15.shtml

Issue Project Room (venue). http://issueprojectroom.org/events

Moma Art Library. Retrieved from http://www.moma.org/learn/resources/library/index

NYPL: New York Library for the Public Arts. Retrieved from http://www.nypl.org/locations/lp

Roulette (venue). Retrieved from http://roulette.org/events

Spectrum NYC. Retrieved from http://www.spectrumnyc.com/

The Stone (venue). Retrieved from http://www.thestonenyc.com/calendar.php

Trans-Pecos (venue). Retrieved from http://www.thetranspecos.com/



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